This is a narrative short film that I wrote, produced and directed. It is a surreal horror fantasy set in a parallel and frightening world.
Completed in 2018 it was shown in December at The Horse Hospital as part of Exploding Cinema.
Now more than ever, filmmakers are fighting to give a voice to the disaffected, the poor and the oppressed.
Remember the furore around Blackfish? The gut-churning horror of Gabriela Cowperthwaite’s 2013 documentary about the controversial practices of catching and keeping whales in captivity led to mass protests and petitions against SeaWorld and other aquariums. Real change was brought about directly because of this film and people exercising their democratic rights in response to it. Engendering activism is one of the strengths that documentary has over narrative film; we see real people and real situations, secrets are exposed and unpleasant truths are brought into the light so that we can no longer ignore them.
Inspired by global unrest, Riot uses artificial intelligence, film and gaming technologies to help unpick how people react in stressful situations
An immersive film project is attempting to understand how people react in stressful situations by using artificial intelligence (AI), film and gaming technologies to place participants inside a simulated riot and then detecting their emotions in real time.
Called Riot, the project is the result of a collaboration between award winning multidisciplinary immersive filmmaker Karen Palmer and Professor Hongying Meng from Brunel University. The two have worked together previously on Syncself2, a dynamic interactive video installation.
Riot was inspired by global unrest, and was specifically inspired by Palmer’s experience of watching live footage of the Ferguson protests in 2015. “I felt a big sense of frustration, anger and helplessness. I needed to create a piece of work that would encourage dialogue around these types of social issues. Riots all over the world now seem to be [the] last form of [community] expression,” she said.
Ghostbusters isn’t the only franchise to be recast with female leads – and that’s not necessarily a victory for equality.
When Bridesmaids was released in 2011 it broke new ground for female-centric blockbusters. Since then, however, Hollywood has moved away from making original women-led films towards ‘sheboots’, where a popular franchise is recast with the male roles going to women. The next in production is Ocean’s Ocho, the latest remake of Ocean’s Eleven, which will see the primary conmen played by Sandra Bullock and Cate Blanchett. Although it has been stressed that the actors will not be playing lady-versions of the male roles, it will be interesting to see what Olivia Milch is able to do with the screenplay within the constraints of the genre.
Julie Goldman believes more women should take an active role in the creative process.
You may not know the name Julie Goldman but she has produced some of the most renowned documentaries of the last 20 years. With over 60 credits to her name (including recent award winners Life, Animated and Weiner), she is something of a luminary on the festival circuit, and at this year’s Sheffield Doc/Fest alone she has five films in the programme – an incredible number of projects coming to fruition at the same time even by her standards.
If Goldman were a man working in Hollywood you’d likely see her every year at the Oscars rubbing shoulders with the Harvey Weinsteins of the world. As things are, her relative anonymity reveals some uncomfortable truths about how women are perceived in the film industry.
Director Susanna Edwards captures the emotional complexity of a brutal sport in this intimate portrait of ‘the female Rocky’.
Golden Girl, Susanna Edwards’ film about Sweden’s first WBC world title holder in women’s boxing, Frida Wallberg, opens with a quote from legendary boxer Rocky Graziano: “The fight for survival is the fight.” It shows us just that. Starting in 2010, not long after Wallberg won her first title, the film follows her training and working towards more fights; trying to retain her status as the world number one and keep the belt in Sweden. Not only a champion in what is still seen as a man’s world, she is also a single mother trying to provide for her young daughter. Needless to say, Wallberg is extremely tough. We see her training to the point of tears, the agony written across her face. But she refuses to give up.
Directors like Susanna White should be helming major franchises like James Bond.
Karyn Kusama and St Vincent’s Annie Clark are among those contributing to an all-female anthology film.
Amber Fares, director of the documentary Speed Sisters (reviewed here) found time in her upcoming promotional schedule to answer some of our questions.
This documentary invites you into a world you might not have known existed. Marah, Betty, Noor and Mona are members of an all-woman speed racing team, the first in the Arabic world. Team manager Maysoon is based with them in Palestine and we get to see not only the exciting world of racing but the realities of life under occupation.
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