interview

What’s the relationship between documentary and democracy?

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Now more than ever, filmmakers are fighting to give a voice to the disaffected, the poor and the oppressed.

Remember the furore around Blackfish? The gut-churning horror of Gabriela Cowperthwaite’s 2013 documentary about the controversial practices of catching and keeping whales in captivity led to mass protests and petitions against SeaWorld and other aquariums. Real change was brought about directly because of this film and people exercising their democratic rights in response to it. Engendering activism is one of the strengths that documentary has over narrative film; we see real people and real situations, secrets are exposed and unpleasant truths are brought into the light so that we can no longer ignore them.

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It’s a riot: the stressful AI simulation built to understand your emotions

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Inspired by global unrest, Riot uses artificial intelligence, film and gaming technologies to help unpick how people react in stressful situations

An immersive film project is attempting to understand how people react in stressful situations by using artificial intelligence (AI), film and gaming technologies to place participants inside a simulated riot and then detecting their emotions in real time.

Called Riot, the project is the result of a collaboration between award winning multidisciplinary immersive filmmaker Karen Palmer and Professor Hongying Meng from Brunel University. The two have worked together previously on Syncself2, a dynamic interactive video installation.

Riot was inspired by global unrest, and was specifically inspired by Palmer’s experience of watching live footage of the Ferguson protests in 2015. “I felt a big sense of frustration, anger and helplessness. I needed to create a piece of work that would encourage dialogue around these types of social issues. Riots all over the world now seem to be [the] last form of [community] expression,” she said.

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Do female producers hold the key to gender equality in the film industry?

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Julie Goldman believes more women should take an active role in the creative process.

You may not know the name Julie Goldman but she has produced some of the most renowned documentaries of the last 20 years. With over 60 credits to her name (including recent award winners Life, Animated and Weiner), she is something of a luminary on the festival circuit, and at this year’s Sheffield Doc/Fest alone she has five films in the programme – an incredible number of projects coming to fruition at the same time even by her standards.

If Goldman were a man working in Hollywood you’d likely see her every year at the Oscars rubbing shoulders with the Harvey Weinsteins of the world. As things are, her relative anonymity reveals some uncomfortable truths about how women are perceived in the film industry.

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Speed Sisters

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This documentary invites you into a world you might not have known existed. Marah, Betty, Noor and Mona are members of an all-woman speed racing team, the first in the Arabic world. Team manager Maysoon is based with them in Palestine and we get to see not only the exciting world of racing but the realities of life under occupation.

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Fiona Stewart – The woman behind the Green Man

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Photo: Owen Richards

Photo: Owen Richards

Founded in 2003 Green Man has won accolades for its intimate vibe and ethical style. For 4 days a year it is home to 20,000 festival goers from all ages and walks of life. This year tickets sold out 3 months before the event and the offerings included music, comedy, film, arts, rides and science, as well as the beautiful surroundings of the Brecon Beacons.

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